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вЂњWeвЂ™ve been using the SD7 with BeyoncГ© since the desk came out plus we were on DiGiCoвЂ™s D5 before that,вЂќ says Berry, who has been with BeyoncГ© for a dozen years now (Curtin joined BeyoncГ©вЂ™s crew in 2011 as the band monitor engineer, then transitioned to FOH when Corbin came onboard in 2013 for the Mrs. ThatвЂ™s enabled me to be able to keep everything on just one primary console, which streamlines the workflow considerably.вЂќ вЂњMore important to us was the additional 504 inputs or outputs along with the 504 on Loop #1 to the system, which on this show is critical. вЂњWith the SD7 we were able to utilize a second HMA Optical Loop doubling the available I/O in the fiber network allowing us to add not one, but two additional record systems capable of handling all 160 channels plus an additional 16 audience mics,вЂќ says Curtin. вЂњWe were able to reduce the number of inputs slightly, which helps,вЂќ he says, вЂњbut itвЂ™s a high channel count, and the SD7s make all the difference.вЂќД®ven with such a massive number of sources coming in, versatile expansion options allow DiGiCoвЂ™s flagship console to comfortably stay on top of everything. Small wonder then that everyone-FOH engineer Stephen Curtin, artist monitor engineer James вЂњCowboyвЂќ Berry, and band monitors engineer Jimmy Corbin-has their hands full, with what Curtin estimates is 160 total inputs, down from 175 when the tour first took shape. The SD7 consoles are connected to an Optocore fiber loop-a double loop in the case of the monitor consoles, two of which are primarily dedicated to the band members and two more for the artist on stage, with one for each task assigned as the primary console and a second as a spill-over deck for ancillary inputs such as talkback and audience mic inputs. ThatвЂ™s why itвЂ™s number-one on all the riders.вЂќ It just has more options than any other console.

вЂњThatвЂ™s one of the reasons that itвЂ™s the preferred console for the FOH and monitor mixers: its work-surface flexibility makes it the only console that lets them set up the exact custom workflows they need.

вЂњEveryone is sharing fiber on this tour,вЂќ Kirschnick continues. No other desk could touch what the SD7s are doing here.вЂќ Stephen uses a lot of subgroups to keep and manage all of the stage inputs on a single SD7, with the second SD7 on the same fiber loop and with the sessions loaded and ready there as a spare. вЂњThe wireless and in-ear counts are enormous. вЂњThe DiGiCos are the only consoles that can do this show,вЂќ observes Jason Kirschnick, International Operations Officer and Global Project Manager at Eighth Day Sound, the sound-reinforcement provider for On The Run II. The five primary consoles on the tour use five DiGiCo SD-Racks, with a sixth used as a support rack. A DiGiCo SD12 console is also on hand to mix vocal rehearsals in dressing rooms. In addition, another SD7 is on the tour to mix full-band rehearsals as set lists change and new songs or new arrangements are added (the duoвЂ™s hit album, Everything Is Love, dropped in the middle of the tour), and to mix and record writing sessions as inspiration strikes during this 48-city, four-month-long tour. The two stars are backed by a sizable combination of their individual bands, including an entire horn section, as well as backup vocalists and dancers, all of whom wear in-ear monitors, as well as wireless microphones for every vocalist.ДЄll of these elements are connected via an Optocore HMA fiber loop between two DiGiCo SD7 consoles for the FOH mix (one primary console and a second for use by supporting acts on the tour) feeding a d&b audiotechnik J-Series PA system, while four more SD7 desks are assigned to the monitor mixes.

In that time, the music has become more complex and so has the stage show. CLEVELAND, Ohio вЂ“ September 2018 вЂ“ OTRIIВ marks the first world tour together in four years for musicвЂ™s power couple, BeyoncГ© and JAY-Z.

Part ii on the run jay z beyonce download